Article series on subtractive synthesis from Sound on Sound
- Synth Secrets, Part 1: What's In A Sound?
- Synth Secrets, Part 2: The Physics Of Percussion
- Synth Secrets, Part 3: Modifiers & Controllers
- Synth Secrets, Part 4: Of Filters & Phase Relationships
- Synth Secrets, Part 5: Further With Filters
- Synth Secrets, Part 6: Of Responses & Resonance
- Synth Secrets, Part 7: Envelopes, Gates & Triggers
- Synth Secrets, Part 8: More About Envelopes
- Synth Secrets, Part 9: An Introduction To VCAs
- Synth Secrets, Part 10: Modulation
- Synth Secrets, Part 11: Amplitude Modulation
- Synth Secrets, Part 12: An Introduction To Frequency Modulation
- Synth Secrets, Part 13: More On Frequency Modulation
- Synth Secrets, Part 14: An Introduction To Additive Synthesis
- Synth Secrets, Part 15: An Introduction To ESPS & Vocoders
- Synth Secrets, Part 16: From Sample & Hold To Sample-rate Converters (1)
- Synth Secrets, Part 17: From Sample & Hold To Sample-rate Converters (2)
- Synth Secrets, Part 18: Priorities & Triggers
- Synth Secrets, Part 19: Duophony
- Synth Secrets, Part 20: Introducing Polyphony
- Synth Secrets, Part 21: From Polyphony To Digital Synths
- Synth Secrets, Part 22: From Springs, Plates & Buckets To Physical Modelling
- Synth Secrets, Part 23: Formant Synthesis
- Synth Secrets, Part 24: Synthesizing Wind Instruments
- Synth Secrets, Part 25: Synthesizing Brass Instruments
- Synth Secrets, Part 26: Brass Synthesis On A Minimoog
- Synth Secrets, Part 27: Roland SH101/ARP Axxe Brass Synthesis
- Synth Secrets, Part 28: Synthesizing Plucked Strings
- Synth Secrets, Part 29: The Theoretical Acoustic Guitar Patch
- Synth Secrets, Part 30: A Final Attempt To Synthesize Guitars
- Synth Secrets, Part 31: Synthesizing Percussion
- Synth Secrets, Part 32: Practical Percussion Synthesis
- Synth Secrets, Part 33: Synthesizing Drums: The Bass Drum
- Synth Secrets, Part 34: Practical Bass Drum Synthesis
- Synth Secrets, Part 35: Synthesizing Drums: The Snare Drum
- Synth Secrets, Part 36: Practical Snare Drum Synthesis
- Synth Secrets, Part 37: Analysing Metallic Percussion
- Synth Secrets, Part 38: Synthesizing Realistic Cymbals
- Synth Secrets, Part 39: Practical Cymbal Synthesis
- Synth Secrets, Part 40: Synthesizing Bells
- Synth Secrets, Part 41: Synthesizing Cowbells & Claves
- Synth Secrets, Part 42: Synthesizing Pianos
- Synth Secrets, Part 43: Synthesizing Acoustic Pianos On The Roland JX10
- Synth Secrets, Part 44: Synthesizing Acoustic Pianos On The Roland JX10
- Synth Secrets, Part 45: Synthesizing Acoustic Pianos On The Roland JX10
- Synth Secrets, Part 46: Synthesizing Strings: String Machines
- Synth Secrets, Part 47: Synthesizing Strings • PWM & String Sounds
- Synth Secrets, Part 48: Synthesizing Bowed Strings: the Violin family
- Synth Secrets, Part 49: Synth Secrets: Practical Bowed-string Synthesis
- Synth Secrets, Part 50: Practical Bowed-string Synthesis (continued)
- Synth Secrets, Part 51: Articulation & Bowed-string Synthesis
- Synth Secrets, Part 52: Synthesizing Pan Pipes
- Synth Secrets, Part 53: Synthesizing Simple Flutes
- Synth Secrets, Part 54: Practical Flute Synthesis
- Synth Secrets, Part 55: Synthesizing Tonewheel Organs
- Synth Secrets, Part 56: Synthesizing Tonewheel Organs: Part2
- Synth Secrets, Part 57: Synthesizing Hammond Organ Effects: Part1
- Synth Secrets, Part 58: Synthesizing The Rest Of The Hammond Organ: Part 2
- Synth Secrets, Part 59: Synthesizing The Rest Of The Hammond Organ: Part 3
- Synth Secrets, Part 60: From Analogue To Digital Effects
- Synth Secrets, Part 61: Creative Synthesis With Delays
- Synth Secrets, Part 62: More Creative Synthesis with Delays
- Synth Secrets, Part 63: The Secret Of The Big Red Button